Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Entertainment Weekly | A− |
| Q magazine | |
| Robert Christgau | A− |
Allmusic said that The White Room "represents the commercial and artistic peak of late-'80s acid-house" and Q magazine called it "strikingly imaginative" and "a more subtle form of subterfuge" than previous works. A retrospective review by Splendid Magazine thought some of the tracks to be filler and the album "silly" in places, but were extremely impressed by the "Stadium House" songs. "As providers of perverse, throwaway, three-minute pop-song manna," they concluded, "the KLF were punk rock, the Renaissance, Andy Warhol and Jesus Christ all rolled into one."
In 1993, NME staff and contributors voted the album the 81st best of all time. The Guardian listed it at the 89th best British album of all time and Scotland on Sunday listed the album in their "Essential 100". Readers of Scotland's Is this music? magazine voted The White Room the 44th best "Scottish" LP of all time. In 2000 Q magazine placed it at number 89 in its list of the 100 Greatest British Albums Ever. It is also featured in the book 1001 Albums You Must Hear Before You Die.
Read more about this topic: The White Room
Famous quotes containing the words critical and/or reception:
“His misfortune was that he loved youth—he was weak to it, it kindled him. If there was one eager eye, one doubting, critical mind, one lively curiosity in a whole lecture-room full of commonplace boys and girls, he was its servant. That ardour could command him. It hadn’t worn out with years, this responsiveness, any more than the magnetic currents wear out; it had nothing to do with Time.”
—Willa Cather (1873–1947)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)