The Musical Comedy
Just as the play was about to be forgotten—a silent film The White Horse Inn directed by Richard Oswald and starring Liane Haid had been made in Germany in 1926—it was revived, again in Berlin, and this time as a musical comedy. During a visit to the Salzkammergut, the actor Emil Jannings told Berlin theatre manager Erik Charell about the comedy. Charell was interested and commissioned a group of prominent authors and composers to come up with a musical show based on Blumenthal and Kadelburg's libretto. They were Ralph Benatzky, Robert Stolz and Bruno Granichstaedten (music), Robert Gilbert (lyrics), Hans Müller-Einigen and Charell himself.
The show premiered in Berlin on November 8, 1930. Immediately afterwards it became a success around the world, with long runs in cities like London, Paris, Vienna, Munich and New York. During the Third Reich the comedy was marginalized and not performed (Goebbels called it "eine Revue, die uns heute zum Hals heraushängt"—"the kind of entertainment we find boring and superfluous today"), whereas people in the 1950s, keen on harmony and shallow pleasures, eagerly greeted revivals of the show. German-language films based on the musical comedy were made in 1935, 1952 and 1960.
Read more about this topic: The White Horse Inn
Famous quotes containing the words musical and/or comedy:
“Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.”
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