Background
Prior to any design being announced, the sculpture was planned as a counterpart to Antony Gormley's Angel of the North at Gateshead (with a stipulation that it be at least twice as wide and high, and visible from 20 miles away), and to mark one of six main "gateways" to London, hence the informal name Angel of the South being adopted early on for the formally named Ebbsfleet Landmark Project Ltd.
Read more about this topic: The White Horse At Ebbsfleet
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“In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (1869–1940)
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—Jimmy Carter (James Earl Carter, Jr.)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)