Plot
Rescued from the Colorado River as an infant and raised by Shamus Tobin, tomboy Molly Brown is determined to find a wealthy man to marry. She journeys to Leadville, Colorado and is hired as a saloon singer by Christmas Morgan. After miner Johnny Brown renovates his cabin, the two wed, and he sells his claim in a silver mine for $300,000. Soon after the money Molly hid in the stove accidentally is burned, Johnny discovers the richest gold vein in state history.
The Browns and Shamus move into a Denver mansion, and Molly sets out to improve her social status by trying to ingratiate herself with the city's elite, all of whom snub her and her nouveau riche ways. She and Johnny go to Europe, where they are embraced by royalty, and the couple return to Denver with their new friends. Molly's plan to introduce them to the people who formerly rejected her is derailed by Johnny's rough and tumble friends, whose unexpected and boisterous arrival ruins the gala party Molly is hosting.
Molly decides to return to Europe, leaving Johnny behind. She initially falls for the charms of Prince Louis de Lanière, but eventually decides she prefers to live with Johnny in Leadville. Setting sail for home aboard the Titanic, she becomes a heroine when the ship sinks and she helps rescue many of her fellow passengers. When her deed makes international headlines, Molly is welcomed home by Johnny and the people of Denver.
Read more about this topic: The Unsinkable Molly Brown (film)
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)