Style
Byrd was the group's leader. He stated his aesthetic aims for the band and album were to have an avant-garde political/musical rock group with the idea of combining Electronic sound (not electronic music), musical/political radicalism and Performance art. During the 1960s, Byrd was drawn to the leftist Communist Party group, explaining that it was "the one group that had discipline, an agenda, and was willing to work within the existing institutions to educate and radicalize American society." The song "Love Song for the Dead Ché" reflects these ideas. Columbia Records originally wanted this title changed due to its political implications. Byrd suggested "Julius and Ethel Rosenberg" as a replacement title if the original title had not been taken.
The album is littered with references to Byrd's obsession with old-time American music such as the dixieland jazz intro on "I Won't Leave My Wooden Wife for You, Sugar". "The American Metaphysical Circus" also starts out with no fewer than 5 layers of sound being heard in a collage. A calliope playing "National Emblem", a ragtime piano playing "At a Georgia Camp Meeting", two marching bands playing "Marching Through Georgia" and "The Red, White and Blue" switching between left and right channels. The other two tracks are of electronic sounds.
Read more about this topic: The United States Of America (album)
Famous quotes containing the word style:
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)