The Ultimate School of Rock & Roll

The Ultimate School Of Rock & Roll

The Ultimate School Of Rock & Roll is a 32-track CD by Gene Summers. It is a compilation of his biggest hits including out-takes and alternate tracks. The CD was released nationally in the United States by Crystal Clear Sound Records in 1997 and is still in print. It was issued as a deluxe edition with an insert booklet containing 16 printed pages with extensive photos plus exclusive liner notes by Phil York (Yorktown Digital, USA).

Credits - Compilation producer: Phil York, Digital audio restoration: Phil York for Big Y Productions, A&R/Production supervision: David Dennard, Executive producer: Sam Paulos, Mastered at Crystal Clear Studios by Keith Rust, Art direction, Design: Frank Laudo, Digital illustration: Robert Greeson, Digital scans: Marci Fermier, Liner notes: Phil York, Photographs, sound sources and memorabilia courtesy of the Gene Summers Archives, the Tom Fleeger Collection, the Phil York Archives and the Steve Bonner Collection. Special thanks to: Tom Fleeger, Jan Records, Jane Records, Song Productions, Inc., Ted Music, Steve Bonner, George Gimarc, Terry Smith, LeBill Music, Jim Lowe and Alta Records.

Session musicians - Joe Adams - background vocals, James Anderson - guitar; Kevin Bailey - background vocals, Al "TNT" Braggs - background vocals, Bill Brown - piano, Red Callendar - bass; Jack Castleberry - bass, Robert Clark - 12-string guitar, guitar, James Clay - saxophone, Joe Cook - guitar, Hal Cormike - keyboards, Ronnie Dawson - drums, Jesse Lee Floyd - background vocals, Paul Glen - organ, Junior Graham - bass, Rene Hall - guitar, Ray Hildebrand - background vocals, Bill Hudson - acoustic guitar, Plas Johnson - saxophone, Paul Kearney - background vocals, Glenn Keener - guitar, David (Dave) Martin - bass, James McClung - guitar, piano, Art McNulty - organ; Gary Mears - guitar, background vocals, Charlie Mendias - drums; Marvin ("Smokey")Montgomery - banjo, Gary Moon - drums, Sammy Myers - organ, Dahrell Norris - drums, Earl Palmer - drums, Harlan Powell - guitar, Freddie Powers - bass, The Joe Ramirez Combo, Charlie Rios - bass, Mel Robinson - saxophone, Sol Samuels - drums, Dave Stanley - bass, Gene Summers - acoustic guitar, vocals, Billy Fred Thomas - background vocals, James Thomas - drums, Cal Valentine - background vocals, Robert Valentine - backgroung vocals, Ernest Walker - organ, piano, Benny Williams - bass, C.B. Williams - saxophone.

Read more about The Ultimate School Of Rock & Roll:  Album Reviews, Track Listing

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    The ultimate sin of any performer is contempt for the audience.
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    Mary had a little lamb,
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    Sarah Josepha Buell Hale (1788–1879)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.
    David Byrne (b. 1952)