The Tuna Helpers

The Tuna Helpers (often, but not always, spelled TheTunaHelpers on albums and promotional materials) was an all-female American indie gothic psychedelic art folk rock band based in Austin, Texas from 2000–2007, noted for their elaborate puppetry in their stage shows and rich textures including diverse vocals, strings, trombone, and percussion. Its membership consisted of sisters Adrienne Sneed (lead vocals and guitars) and Bethany Sneed (keyboards, bells, and background vocals), Stacy Meshbane on violin, and Khattie Quinones on drums.

Their music often involves reflections on childhood, from a slightly dark but often comic perspective. Bethany also performs the songs in American Sign Language, an aspect of their live performances praised by Tucson Weekly. This element was added at Adrienne's suggestion after seeing Bethany sign Tori Amos songs at home. At local shows, Mrs. Sneed would serve cakes and host party games.

The TunaHelpers toured the U.S and Canada sharing the stages with such talents as Nina Hagen, TeamDresch, The Aisler Set, The Dresden Dolls, Faun Fables, Lydia Lunch, The Frogs, Adam Green, Lesbians on Ecstasy, Gretchen Phillips, Electrelane, and Bettie Serveert. The band also performed SXSW showcases 4 years in a row.

Read more about The Tuna Helpers:  Origins and Lineup Changes, Difficulty With The Name, Recordings, Reception, Dissolution

Famous quotes containing the words tuna and/or helpers:

    I’d take the bus downtown with my mother, and the big thing was to sit at the counter and get an orange drink and a tuna sandwich on toast. I thought I was living large!... When I was at the Ritz with the publisher a few months ago, I did think, “Oh my God, I’m in the Ritz tearoom.” ... The person who was so happy to sit at the Woolworths counter is now sitting at the Ritz, listening to the harp, and wondering what tea to order.... [ellipsis in source] Am I awake?
    Connie Porter (b. 1959)

    When other helpers fail and comforts flee, when the senses decay and the mind moves in a narrower and narrower circle, when the grasshopper is a burden and the postman brings no letters, and even the Royal Family is no longer quite what it was, an obituary column stands fast.
    Sylvia Townsend Warner (1893–1978)