Plot
The protagonist and narrator is Dexter King (Goldblum), an American actor working in London and living platonically in Camden Town with his "educated, charming...nymphomaniac" landlady (played by Geraldine James). He's just finished his sixth year playing "The Tall Guy", a straight man in a two-man, long-running comedy revue starring (and dominated by) Ron Anderson (Rowan Atkinson, playing a role based on himself).
Chronic hay fever prompts him to see a doctor, where he meets and falls quickly in love with Kate (played by Emma Thompson), who works there as a nurse.
Soon after meeting Kate, Dexter is fired by Ron. After being rejected for a role in a new Steven Berkoff play for "lacking anger", Dexter wins the title role in a new Royal Shakespeare Company musical based on The Elephant Man. It's a "nasty send-up of Andrew Lloyd Webber" called Elephant! which features a song called “He’s Packing His Trunk” and a finale which ends with the lyric "Somewhere up in heaven there's an angel with big ears!"
During rehearsal, Dexter succumbs to the advances of a married co-star (played by Kim Thomson). On the new musical's opening night, Kate puts together evidence of the affair from a few subtle clues, and leaves Dexter without further ado.
After seeing a scene in a televised award show that suggests Ron is now dating Kate, Dexter impulsively gives up his role in Elephant! just before the curtain rises, with plans to make an impassioned plea to Kate to take him back. With Ron's involuntary help (Dexter ties him up in his dressing room and steals his car), Dexter presents his case to Kate in a busy hospital ward. Kate agrees to give him another chance.
Read more about this topic: The Tall Guy
Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)