Plot
Mary Tudor falls in love with a new arrival to court, Charles Brandon. She convinces her brother King Henry VIII to make him his Captain of the Guard. Meanwhile, Henry is determined to marry her off to the aging King Louis XII of France as part of a peace agreement. Mary's longtime suitor the Duke of Buckingham takes a dislike to Charles as he is a commoner and the Duke wants Mary for himself. However, troubled by his feelings for the princess, Brandon resigns and decides to sail to the New World. Against the advice of her lady-in-waiting Lady Margaret, Mary dresses up like a boy and follows Brandon to Bristol. Henry's men find them and throw Brandon in the Tower of London. King Henry agrees to spare his life if Mary will marry King Louis and tells her that when Louis dies she is free to marry whoever she wants. Meanwhile, Mary asks the Duke of Buckingham for help but he only pretends to help Brandon escape from the Tower, really planning to have him killed while escaping. The Duke thinks he is drowned in the Thames, but he survives.
Mary marries King Louis and encourages him to drink to excess and be active so that his already deteriorating health worsens. His heir Francis makes it clear that he will not return Mary to England after the king's death, but keep her for himself. When she goes to him for help, the Duke of Buckingham tells Lady Margaret that Brandon is dead and decides to go "rescue" Mary himself. Lady Margaret discovers that Brandon is alive and learning of the Duke's treachery they hurry back to France. Louis dies and the Duke of Buckingham arrives in France to bring Mary back to England. He tells her that Brandon is dead and tries to force her to marry him. Charles arrives in time, rescues her and kills the Duke. Mary and Brandon are married and remind Henry of his promise to let her pick her second husband. He forgives them and makes Charles Duke of Suffolk.
Read more about this topic: The Sword And The Rose
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
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—Woodrow Wilson (1856–1924)