Production
The filming of each episode normally took ten working days, shooting about five minutes of edited screen time per day. Due to this, the number of different filming locations had to be restricted to ten, i.e. one location per day. At the Euston Films production office in Colet Court, there was a standing set of the Flying Squad offices, which provided an alternative option should the weather restrict a day's filming. Two days would normally be spent filming on the set, equalling 10 mins of any episode being set in the offices. Shooting took place through the summer, so, exterior night shooting was expensive and was limited to 3 minutes of external night material in any episode.
Each episode had an eight and a half week production schedule: two weeks pre-production (for casting, finding locations etc.), two weeks shooting, four weeks picture editing (the first two weeks of which overlapped with the shoot), two weeks sound editing, and two-and-a-half days dubbing.
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)