The Sullivans - Critical and Popular Reception

Critical and Popular Reception

The Sullivans attracted critical acclaim and was also one of Australia's most popular drama series, screening in half-hour episodes at 7.00 pm.

The show's popularity waned somewhat after 1979 following the departure of Lorraine Bayly. When she asked to leave the series the show's producers instead offered her six months leave. Her character Grace was sent to London to care for her injured son John, and a series of pre-taped segments were used in her absence to maintain her presence. The London scenes featured actors imported from New Zealand so Australian viewers would not recognise familiar actors. When Bayly refused to return after six months, she was written out of the series and Grace was killed by a V1 bomb during a London air raid.

Despite Bayly's departure ratings remained high enough for the series to remain in production. In 1982 the war ended in the storyline and there were plans for the series to continue with examinations of elements of post-War Australian history such as the Snowy River hydro-electric scheme. However, the decision of Paul Cronin to leave the series at this time prompted the show's cancellation before any of this could come to fruition.

Read more about this topic:  The Sullivans

Famous quotes containing the words critical, popular and/or reception:

    I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.
    Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)

    One knows so well the popular idea of health. The English country gentleman galloping after a fox—the unspeakable in full pursuit of the uneatable.
    Oscar Wilde (1854–1900)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)