Plot
At the beginning of the episode, Barney is seen skipping out hitting on some hot girl because he tells everyone he has to go somewhere, but he is secretive about where. The gang becomes suspicious that Barney might have a secret girlfriend, so they follow him to what turns out to be the house of his mother, Loretta. Barney then reveals that he has a wife, Betty, and a son, Tyler. Barney then tells the gang that they are both actors he hired because his mom was dying and he thought it would make her happy to think he was married. When his mother recovered, Barney was stuck with the fake family. Marshall at first argues that Barney should tell his mother the truth because there shouldn't be secrets within families. After he discovers that Lily hates his mother, Marshall starts to think that some things are better left unsaid.
Ted and Betty begin to develop a connection, since they're both fascinated by theatre. Betty gives Ted some acting tips, after he reveals becoming an actor has always been a secret ambition of his. After dinner, Ted is caught kissing Betty, and Barney is forced to confront him in front of his mother, but the tables are turned when Ted starts using Betty's acting tips to improvise a story that Barney long ago stole his fiancée. Barney then finally tells his mother the truth, and she is relieved because she admits she hates Betty and Tyler. She really hates Tyler because he keeps saying, "Tyler no likey!," (the child actor's attempt to create a catchphrase for his character). After that moment, they share a hug and she tells him to make sure to go for it when he does meet the right girl. At that moment, Robin walks in and Barney looks at her as he tells his Mom he will try. On the ride home, Ted and Betty are in one cab while Barney, Robin, Marshall and Lily are in another. Lily then fakes a conversation on her cell phone with Betty pretending to be Marshall's mother in order to make him think she's on good terms with his mother.
Read more about this topic: The Stinsons
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)