Synopsis
Brome's play involves the sexual themes, generational conflicts, and the confidence tricks that are typical of his drama. Touchwood and Striker are two London neighbors, both justices of the peace; they maintain a vigorous and long-running quarrel. Their hostility is counterpointed by the affection of their heirs: Touchwood's son Sam and Striker's granddaughter Annabelle are in love. When Touchwood discovers this fact, he forbids their marriage, and insists that Sam inflict some serious injury on the Striker family to stay in his father's good graces (and his will). Sam is fortunate to have two clever friends, Gilbert Goldwire and Walter Chamlet, who work up a plot to resolve Sam's predicament. Sam tells his father that he has impregnated Annabelle; and Touchwood, delighted at the scandal impending over the Striker household, sends his son abroad — or so he thinks; in fact Sam remains in London to carry out his plans.
Annabelle's mother was Striker's daughter, now deceased; her father is Sir Hugh Moneylack, a down-and-out gentleman who survives by shady means. Striker is hostile to his son-in-law, and keeps Annabelle, his granddaughter and heir, from seeing her father. (The play confuses the family relationship, often referring to Annabelle as Striker's niece.) Sir Hugh functions as what is called a "gather-guest" for the Sparagus Garden, bringing in profitable trade to the facility. (Moneylack presents asparagus as an aphrodisiac, claiming that "Of all the plants, herbs, roots, or fruits that grow, it is the most provocative, operative, and effective" for that purpose. In actuality, the medical opinion of Brome's day regarded the vegetable as a mild diuretic.) The play shows that the Garden makes its money through private dining rooms made available to its customers — with a clear sexual innuendo in the arrangement: when Sam, Wat, and Gilbert show up at the Garden without female companionship, they are refused a private dining room.
Sir Hugh Moneylack also is part of a group of charlatans; with his confederates Springe and Brittleware, he targets a naive countryman named Tim Hoyden who longs to be made a gentleman. The tricksters take every advantage of the man, physically abusing him with "bleeding" (bloodletting), "purging" (vomiting and enemas), and a starvation diet, and cheating him of £400 as they pretend to teach him the ways of fashionable society. Tim's brother Tom Hoyden comes to London in search of Tim, and chases around attempting to rescue Tim from the charlatans' clutches. Tom and his servant Coulter are from "Zumerzetshire," and inject into the play the kind of dialect humor typical of Brome's drama (Yorkshire dialect in The Northern Lass, Lancashire dialect in The Late Lancashire Witches).
The charlatans have their own problems, though: Brittleware's wife Rebecca is distressed that she's been married for five years but does not yet have a child. She is vocal in blaming her husband for this, and makes husband Brittleware jump through hoops and pursue her around the town to punish him for his possessiveness and jealousy.
The young conspirators manipulate Walter's ridiculous uncle Sir Arthur Cautious, a confirmed bachelor, into an arranged betrothal with Annabelle. Striker, who believes in her disgrace, is so eager for the marriage that he makes generous provisions for her. When their wedding day arrives, however, Annabelle appears dressed in black and apparently pregnant. Sir Arthur is appalled, and offers £1000 to the man who will take the young woman off his hands. Sam suddenly steps forward, and Striker is so desperate that he accepts his enemy's son as his son-in-law.
Touchwood, too, is now ready to accept the match. Tom Hoyden has presented documents to the justice, to prove that foolish brother Tim is the long-lost son of Touchwood and Striker's late sister. Those two had had a relationship similar to that of Sam and Annabelle — but Striker had opposed their match, which instigated the thirty-year quarrel between them. Once both old men accept their heirs' marriage, Annabelle pulls a cushion out from under her dress, revealing her pregnancy fictitious and her virtue intact. (Brome's play shares this plot device with Thomas May's 1622 comedy The Heir.) Tim Hoyden is now the son of a gentleman, as he'd always wanted to be; the play's conflicts are resolved.
Read more about this topic: The Sparagus Garden