Plot
Tarzan and Jane have left Africa, married and settled in London. Their pre-teen son, Jack, dreams of jungle adventures like his father's, but is discouraged by his parents. He sneaks away to see a trained ape called Ajax (in reality, Akut, an old friend from Tarzan's youth). The ape's trainer is really Ivan Paulovich, an old enemy of Tarzan's, who is looking for a way to enact vengeance. He kidnaps Jack and takes him to Africa.
Jack escapes with Akut, and survives on his own in the wild much like his father before him. He is given the Ape name Korak, which means "Killer" in their language. Korak rescues Meriem, a young French girl held captive by Arab slave traders, and they grow to adulthood in the jungle. Paulovich hopes to receive a ransom from her wealthy parents for her return as well, and attempts to capture both of them.
Eventually Paulovich lures Jane to Africa in order to extort a ransom, but Tarzan soon follows. Tarzan and Jane, living at their African estate, find Meriem and informally adopt her. They discover her parentage and send for her father. The film climaxes with a battle pitting Korak against Paulovich, his henchmen and the slave traders. An elephant rescues Korak, who is bound to a stake, and he and Meriem are reunited with their parents, and all sail for England.
Read more about this topic: The Son Of Tarzan (film)
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
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—Mary Kay Blakely (20th century)