Description
The first impression that the painting creates is of an enormous deep-red sunset over a stormy sea, an indication of an approaching typhoon. Upon closer inspection one can discern a ship sailing off into the distance. The masts of the ship are red, matching the blood-red colour of the sky and the sickly copper colour of the water, which serves to blur the lines between various objects in the painting. The ship’s sails are also not unfurled, revealing that the ship is preparing for the typhoon. In the foreground can be seen a number of bodies floating in the water; their dark skin and chained hands and feet indicate that they are slaves, thrown overboard from the ship. Looking even more carefully, one can see fish and sea monsters swimming in the water, possibly preparing to eat the slaves, and sea gulls circling overhead above the chaos.
Consistent with Turner’s emphasis on colour in many of his other works, the painting’s central focus is on the interactions of various colours. Few defined brush strokes appear in the painting, and objects, colours, and figures become indistinct. Rather, objects are defined by their colours in the painting, and some objects (like the bodies of the slaves and the incoming storm) have no real border at all, being solely defined by the contrast with the pigments around them. The most prominent colours are the red of the sunset which encroaches into the water and ship as well, and the maroon of the bodies and hands of the slaves.
Read more about this topic: The Slave Ship
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