The Skylark of Space - Reception

Reception

Frederik Pohl says of the book, "With the exception of the works of H. G. Wells, possibly those of Jules Verne — and almost no other writer — it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." Mike Ashley called it "the seminal space opera." Despite its influence, its critical reputation is, at best, mixed; Groff Conklin's review of the 1950 edition noted that "This tale is the sort of thing that only insatiable fans will enjoy, being . . . uncommonly amateur and awkward." Damon Knight, however, praised the novel for its "fast, lean plot, an air of excitement, . . . four characters who are comfortingly bigger than life the feeling that adventures are waiting everywhere," concluding that "In The Skylark, everything is big and simple."

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    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
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