Production
The film originally was titled The Lullaby. Following its first preview, it was panned by critics, who were impressed by Hayes in her film debut, but thought the plot was conventional and sappy. Producer Irving Thalberg called in playwright Charles MacArthur, who was Hayes' husband, to doctor the script. He thoroughly revised it, omitting inconsequential characters and framing the story as a flashback.
Hayes had begun filming Arrowsmith for Samuel Goldwyn and had to complete that project before shooting her new scenes for the Thalberg film. It was retitled The Sin of Madelon Claudet and opened to widespread acclaim for both Hayes and the film itself.
The film was voted one of the ten best pictures of the year by a Film Daily nationwide poll.
Read more about this topic: The Sin Of Madelon Claudet
Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)