Plot
Nancy goes to a Ranch in Arizona for a vacation with her best friends, Bess and George. On the first day there, Nancy discovers that the owners of the ranch, Mr. and Mrs. Rawley are at the hospital because Mr. Rawley was bitten by a rattlesnake. Then Nancy finds out that Bess and George are stuck at the airport due to mechanical problems. The ranch hands are the foreman Dave Gregory, the cook Shorty Thurmond, and the cowpoke Tex Britten. Mary Yazzie is a local store owner who Nancy visits.
Soon Nancy finds out of a legend from the 1880s about an outlaw, Dirk Valentine, who was involved with the daughter of the old owner at the ranch, Frances Humber. Dirk was caught and executed but supposedly hid a secret treasure and numerous clues for Frances to locate it. While the ranch is enjoying a barbecue on the first night, the phantom horse appears and the main line in the pump house bursts.
Nancy discovers that Tex is sensitive discussing his sister, Jane Nash. Nancy investigates further, and realizes that Dirk's valuable treasure for Frances may be a reason someone is trying to chase Mr. and Mrs. Rawley off the ranch. Nancy begins to try to solve Dirk's treasure hunt, which takes her to several locations, including a creepy old ghost town. Dave grows fond of Nancy and tries to ask her out. Nancy also discovers that Tex and Mary are involved with each other. The day ends with the phantom horse's appearance once again and the electrical wires to the ranch become live and spark.
Next day, Nancy wheedles information out of Mary, learning she is in love with Tex. While sleuthing into ghost town Nancy is attacked and locked inside Dirk's jail cell, but subsequently escapes. Nancy finds more clues and determines the location of treasure. The culprit follows her and confronts Nancy. Nancy then has to be ingenious in order to outsmart the villain and survive.
Read more about this topic: The Secret Of Shadow Ranch (video Game)
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
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—Mark Twain [Samuel Langhorne Clemens] (1835–1910)