The Secret Invasion - Plot

Plot

Criminal mastermind Rocca (Raf Vallone), demolitions expert and Irish Republican Army member Scanlon (Mickey Rooney), forger Fell (Edd Byrnes), cold-blooded murderer Durrell (Henry Silva), and thief and impersonator Saval (William Campbell) are offered pardons in exchange for attempting to rescue an Italian general sympathetic to the Allies from captivity in German-occupied Yugoslavia. They are led by Major Richard Mace (Stewart Granger), a man trying to expiate his feelings of guilt for sending his own brother on a dangerous mission and waiting too long to extricate him. The fishing boat transporting Mace's team is stopped by a patrol boat, but they dispose of the Germans.

With the assistance of local partisans led by Marko (Peter Coe), they split up and enter Dubrovnik. Durrell is partnered with Mila (Spela Rozin), a recent widow with a baby. They are attracted to each other, but Durrell accidentally smothers her crying child to avoid detection by a German patrol. The team is captured and taken to the same fortress where the Italian general is being kept. They are tortured for information, but manage to escape and fulfill their mission, although Mace, Fell, Scanlon and Saval are killed while fending off German troops.

At the last minute, Rocca and Durrell, the only two survivors, discover that the man they have freed is an impostor and that he is about to exhort "his" troops to stay loyal to the Axis. Durrell shoots the fake general while pretending to be a Nazi fanatic and is killed by the outraged Italians. Rocca directs the Italians' anger at the Germans.

Read more about this topic:  The Secret Invasion

Famous quotes containing the word plot:

    The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.
    Woodrow Wilson (1856–1924)

    Those blessed structures, plot and rhyme—
    why are they no help to me now
    I want to make
    something imagined, not recalled?
    Robert Lowell (1917–1977)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)