History
The Seattle Times originated as the Seattle Press-Times, a four-page newspaper founded in 1891 with a daily circulation of 3,500, which Maine teacher and attorney Alden J. Blethen bought in 1896. Renamed the Seattle Daily Times, it doubled its circulation within half a year. By 1915, circulation stood at 70,000. As of October 2010, weekday circulation stood at 251,697.
The Times is one of the few remaining major city dailies in the United States independently operated and owned by a local family (the Blethens). The Seattle Times Company, while owning and operating the Times, also owns three other papers in Washington. The McClatchy Company owns 49.5 percent of voting common stock in the Seattle Times Company, formerly held by Knight Ridder.
The Times reporting has received eight Pulitzer Prizes. It has an international reputation for its investigative journalism, in particular. In April 2010, The Seattle Times staff won the Pulitzer Prize for Breaking News Reporting "for its comprehensive coverage, in print and online, of the shooting deaths of four police officers in a coffee house and the 40-hour manhunt for the suspect." The city was on edge during the manhunt, and The Seattle Times had around-the-clock staff monitoring the search and investigating the killer's history in the criminal justice system.
Read more about this topic: The Seattle Times
Famous quotes containing the word history:
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)
“The reverence for the Scriptures is an element of civilization, for thus has the history of the world been preserved, and is preserved.”
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“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
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