Track Listing
| Side A | |||||
|---|---|---|---|---|---|
| No. | Title | Lyrics | Music | Length | |
| 1. | "Pure" | Siouxsie Sioux, Steven Severin, John McKay, Kenny Morris | 1:50 | ||
| 2. | "Jigsaw Feeling" | Severin | Severin, McKay | 4:39 | |
| 3. | "Overground" | Severin | Severin, McKay | 3:50 | |
| 4. | "Carcass" | Sioux, Severin, Peter Fenton | 3:49 | ||
| 5. | "Helter Skelter" | John Lennon, Paul McCartney | Lennon, McCartney | 3:46 |
| Side B | |||||
|---|---|---|---|---|---|
| No. | Title | Lyrics | Music | Length | |
| 6. | "Mirage" | Severin | Severin, McKay | 2:50 | |
| 7. | "Metal Postcard (Mittageisen)" | Sioux | Sioux, McKay | 4:14 | |
| 8. | "Nicotine Stain" | Sioux | Sioux, Severin | 2:58 | |
| 9. | "Suburban Relapse" | Sioux | Sioux, McKay | 4:12 | |
| 10. | "Switch" | Sioux | Sioux, McKay | 6:49 |
| CD reissue bonus tracks | |||||
|---|---|---|---|---|---|
| No. | Title | Lyrics | Music | Length | |
| 11. | "Hong Kong Garden (7" A-side)" | Sioux | Sioux, Severin, McKay, Morris | ||
| 12. | "The Staircase (Mystery) (7" A-side)" | Sioux | Sioux, Severin, McKay, Morris |
| 2005 Deluxe Edition bonus disc | |||
|---|---|---|---|
| No. | Title | Length | |
| 1. | "Make Up to Break Up (Riverside Session)" | ||
| 2. | "Love in a Void (Peel Session 1)" | ||
| 3. | "Mirage (Peel Session 1)" | ||
| 4. | "Metal Postcard (Mittageisen) (Peel Session 1)" | ||
| 5. | "Suburban Relapse (Peel Session 1)" | ||
| 6. | "Hong Kong Garden (Peel Session 2)" | ||
| 7. | "Overground (Peel Session 2)" | ||
| 8. | "Carcass (Peel Session 2)" | ||
| 9. | "Helter Skelter (Peel Session 2)" | ||
| 10. | "Metal Postcard (Pathway Session)" | ||
| 11. | "Suburban Relapse (Pathway Session)" | ||
| 12. | "The Staircase (Mystery) (Pathway Session)" | ||
| 13. | "Mirage (Pathway Session)" | ||
| 14. | "Nicotine Stain (Pathway Session)" | ||
| 15. | "Hong Kong Garden (7" Single Version)" | ||
| 16. | "The Staircase (Mystery) (7" Single Version)" |
Read more about this topic: The Scream (album)
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“To most men, experience is like the stern lights of a ship, which illumine only the track it has passed.”
—Samuel Taylor Coleridge (1772–1834)