The Scarlet Pimpernel - Character

Character

Sir Percy is a wealthy English baronet who rescues individuals sentenced to death in the guillotine. His acts of daring show him to be a master of disguise, an imaginative planner, a formidable swordsman and a quick-thinking escape artist. With each rescue he taunts his enemies by leaving behind a card showing a small flower--a scarlet pimpernel. The identity of the Scarlet Pimpernel thus becomes a topic of widespread popular interest and the hero himself becomes the subject of an international manhunt by the French revolutionary authorities. To hide his true identity, Sir Percy presents himself in everyday life as a fop who is intellectually dull, cares only for wearing the latest fashions, speaks little French and takes no notice of world affairs. His secret is kept by a band of friends known as the League of the Scarlet Pimpernel. The league operates as an undercover team in enacting Sir Percy's rescue plans.

Unusually for an action hero, Sir Percy is married. Events in the original novel are related from the point of view of his wife, Marguerite St. Just.

Baroness Orczy's general sympathy with aristocrats is evident in her stories, where nobility of birth and nobility of character easily correspond. Even so, her tales present commoners as capable of selfless and heroic actions. Marguerite St. Just and her brother Armand, both commoners who initially help bring about the French Revolution, work closely with Sir Percy as members of the League.

Read more about this topic:  The Scarlet Pimpernel

Famous quotes containing the word character:

    Man was born to live with his fellow human beings. Separate him, isolate him, his character will go bad, a thousand ridiculous affects will invade his heart, extravagant thoughts will germinate in his brain, like thorns in an uncultivated land.
    Denis Diderot (1713–1784)

    The best bribe which London offers to-day to the imagination, is, that, in such a vast variety of people and conditions, one can believe there is room for persons of romantic character to exist, and that the poet, the mystic, and the hero may hope to confront their counterparts.
    Ralph Waldo Emerson (1803–1882)

    The family circle has widened. The worldpool of information fathered by the electric media—movies, Telstar, flight—far surpasses any possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world’s a sage.
    Marshall McLuhan (1911–1980)