The Satanic Rites of Dracula - Production

Production

The film included much of the original cast and characters of Dracula A. D. 1972, the main change being Joanna Lumley playing a more mature version of Jessica Van Helsing, as compared to Stephanie Beacham.

Work began on what was tentatively titled Dracula is Dead and Well and Living in London in November 1972. The title was a parody of the stage and film musical revue Jacques Brel is Alive and Well and Living in Paris, but Lee was not amused. Speaking at a press conference in 1973 to announce the film, Lee said:

I'm doing it under protest... I think it is fatuous. I can think of twenty adjectives – fatuous, pointless, absurd. It's not a comedy, but it's got a comic title. I don't see the point.

The film was eventually retitled as The Satanic Rites of Dracula. It is a mixture of horror, science fiction and a spy thriller, with a screenplay by Don Houghton, a veteran of BBC's Doctor Who. The original score was composed by television composer John Cacavas. It wrapped on 3 January 1973 – 15 years to the day since the original Hammer Dracula.

This was the final Hammer film Christopher Lee and Peter Cushing would make together. Lee was offered the role of Dracula opposite Cushing in The Legend of the 7 Golden Vampires but declined it. The two stars would eventually reunite one more time in House of the Long Shadows 10 years later.

In the United States, the film was distributed as Count Dracula and His Vampire Bride.

Read more about this topic:  The Satanic Rites Of Dracula

Famous quotes containing the word production:

    Every production of an artist should be the expression of an adventure of his soul.
    W. Somerset Maugham (1874–1965)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)