Origins
The roots of the Western Territory date back to the Summer of 1882. At this time there was no Salvation Army presence in the Western United States, the movement only having reached the United States two years earlier on March 10, 1880. However, a group of Bay Area "holiness men," having been impressed by a copy of the Army's London based War Cry magazine, decided by unanimous vote that they would change their name from the Pacific Holiness Association to The Salvation Army. They then chose George Newton as their "Commander," and held their first meeting on later that year on October 6, 1882.
Over the course of the next year the group held services, formed a small brass band, and even published five issues of their own War Cry magazine, all the while petitioning the Salvation Army's founder and international leader William Booth to send them a real Salvation Army officer. Booth eventually agreed, and in 1883 Major Alfred Wells, and Major Henry Stillwell were sent to begin the Army's work in San Francisco. Major Wells opened the Army's first building in the West, San Francisco Citadel #1, on July 21, 1883.
Originally, the Western United States was classified as the Pacific Coast Division, but in 1921 was given territorial status. The West's first territorial commander was Lt. Commissioner Adam Gifford.
Read more about this topic: The Salvation Army U.S.A. Western Territory
Famous quotes containing the word origins:
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)