The Saddest Music in The World

The Saddest Music in the World is a 2003 Canadian film directed by Guy Maddin, budgeted at $3.8-million (a large budget in Canadian terms) and shot over 24 days. The film was Maddin's first collaboration with Isabella Rossellini, who subsequently appeared in a number of Maddin's films, and co-created a film with him about her father Roberto Rossellini.

Maddin and co-writer George Toles based the film on an original screenplay written by Booker Prize-winning novelist Kazuo Ishiguro, from which they kept "the title, the premise and the contest – to determine which country’s music was the saddest" but otherwise re-wrote. Like most of Guy Maddin's films, The Saddest Music in the World is filmed in a style that imitates late 1920s and early 1930s cinema, with grainy black-and-white photography, slightly out-of-sync sound and expressionist art design. A few scenes are filmed in colour, in a manner that imitates early two-strip Technicolor.

Read more about The Saddest Music In The World:  Plot, Cast, Release, Awards and Honors, Critical Reception

Famous quotes containing the words the world, saddest, music and/or world:

    People in places many of us never heard of, whose names we can’t pronounce or even spell, are speaking up for themselves. They speak in languages we once classified as “exotic” but whose mastery is now essential for our diplomats and businessmen. But what they say is very much the same the world over. They want a decent standard of living. They want human dignity and a voice in their own futures. They want their children to grow up strong and healthy and free.
    Hubert H. Humphrey (1911–1978)

    The saddest thing the thinker can say to the artist is this: “So, could you not watch with me one hour?”
    Friedrich Nietzsche (1844–1900)

    What is our life? a play of passion;
    Our mirth the music of division;
    Our mothers’ wombs the tiring-houses be
    Where we are dressed for this short comedy.
    Sir Walter Raleigh (1552?–1618)

    ... the movie woman’s world is designed to remind us that a woman may live in a mansion, an apartment, or a yurt, but it’s all the same thing because what she really lives in is the body of a woman, and that body is allowed to occupy space only according to the dictates of polite society.
    Jeanine Basinger (b. 1936)