The Saddest Music in the World is a 2003 Canadian film directed by Guy Maddin, budgeted at $3.8-million (a large budget in Canadian terms) and shot over 24 days. The film was Maddin's first collaboration with Isabella Rossellini, who subsequently appeared in a number of Maddin's films, and co-created a film with him about her father Roberto Rossellini.
Maddin and co-writer George Toles based the film on an original screenplay written by Booker Prize-winning novelist Kazuo Ishiguro, from which they kept "the title, the premise and the contest – to determine which country’s music was the saddest" but otherwise re-wrote. Like most of Guy Maddin's films, The Saddest Music in the World is filmed in a style that imitates late 1920s and early 1930s cinema, with grainy black-and-white photography, slightly out-of-sync sound and expressionist art design. A few scenes are filmed in colour, in a manner that imitates early two-strip Technicolor.
Read more about The Saddest Music In The World: Plot, Cast, Release, Awards and Honors, Critical Reception
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“Softly sweet in Lydian measures
Soon he soothed his soul to pleasures.
‘War’, he sung, ‘is toil and trouble;
Honour but an empty bubble.
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think it worth enjoying.
Lovely Thais sits beside thee,
Take the good the Gods provide thee.’”
—John Dryden (1631–1700)
“The saddest thing the thinker can say to the artist is this: “So, could you not watch with me one hour?””
—Friedrich Nietzsche (1844–1900)
“Now the rich stream of Music winds along
Deep, majestic, smooth, and strong,”
—Thomas Gray (1716–1771)
“Idealism sees the world in God. It beholds the whole circle of persons and things, of actions and events, of country and religion, not as painfully accumulated, atom after atom, act after act, in an aged creeping Past, but as one vast picture, which God paints on the instant eternity, for the contemplation of the soul.”
—Ralph Waldo Emerson (1803–1882)