The Saddest Music in The World

The Saddest Music in the World is a 2003 Canadian film directed by Guy Maddin, budgeted at $3.8-million (a large budget in Canadian terms) and shot over 24 days. The film was Maddin's first collaboration with Isabella Rossellini, who subsequently appeared in a number of Maddin's films, and co-created a film with him about her father Roberto Rossellini.

Maddin and co-writer George Toles based the film on an original screenplay written by Booker Prize-winning novelist Kazuo Ishiguro, from which they kept "the title, the premise and the contest – to determine which country’s music was the saddest" but otherwise re-wrote. Like most of Guy Maddin's films, The Saddest Music in the World is filmed in a style that imitates late 1920s and early 1930s cinema, with grainy black-and-white photography, slightly out-of-sync sound and expressionist art design. A few scenes are filmed in colour, in a manner that imitates early two-strip Technicolor.

Read more about The Saddest Music In The World:  Plot, Cast, Release, Awards and Honors, Critical Reception

Famous quotes containing the words the world, saddest, music and/or world:

    Cash-payment never was, or could except for a few years be, the union-bond of man to man. Cash never yet paid one man fully his deserts to another; nor could it, nor can it, now or henceforth to the end of the world.
    Thomas Carlyle (1795–1881)

    That was the saddest thing for Sybille: after twenty minutes you have got as far with these people as after half a year, as after many years, nothing more is added.
    Max Frisch (1911–1991)

    We may live without poetry, music and art;
    We may live without conscience, and live without heart;
    We may live without friends; we may live without books;
    But civilized man cannot live without cooks.
    Owen Meredith (1831–1891)

    The idea of bringing someone into the world fills me with horror. I would curse myself if I were a father. A son of mine! Oh no, no, no! May my entire flesh perish and may I transmit to no one the aggravations and the disgrace of existence.
    Gustave Flaubert (1821–1880)