The Saddest Music in the World is a 2003 Canadian film directed by Guy Maddin, budgeted at $3.8-million (a large budget in Canadian terms) and shot over 24 days. The film was Maddin's first collaboration with Isabella Rossellini, who subsequently appeared in a number of Maddin's films, and co-created a film with him about her father Roberto Rossellini.
Maddin and co-writer George Toles based the film on an original screenplay written by Booker Prize-winning novelist Kazuo Ishiguro, from which they kept "the title, the premise and the contest – to determine which country’s music was the saddest" but otherwise re-wrote. Like most of Guy Maddin's films, The Saddest Music in the World is filmed in a style that imitates late 1920s and early 1930s cinema, with grainy black-and-white photography, slightly out-of-sync sound and expressionist art design. A few scenes are filmed in colour, in a manner that imitates early two-strip Technicolor.
Read more about The Saddest Music In The World: Plot, Cast, Release, Awards and Honors, Critical Reception
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“Softly sweet in Lydian measures
Soon he soothed his soul to pleasures.
‘War’, he sung, ‘is toil and trouble;
Honour but an empty bubble.
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think it worth enjoying.
Lovely Thais sits beside thee,
Take the good the Gods provide thee.’”
—John Dryden (1631–1700)
“For of all sad words of tongue or pen,
The saddest are these: “It might have been!””
—John Greenleaf Whittier (1807–1892)
“The music of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced longing toward a truer world, of misty wanderings and hidden ways.”
—W.E.B. (William Edward Burghardt)
“Fate forces its way to the powerful and violent. With subservient obedience it will assume for years dependency on one individual: Caesar, Alexander, Napoleon, because it loves the elemental human being who grows to resemble it, the intangible element. Sometimes, and these are the most astonishing moments in world history, the thread of fate falls into the hands of a complete nobody but only for a twitching minute.”
—Stefan Zweig (18811942)