History
Odysseus Yakoumakis discovered Stuckism in July, 2004, while surfing the net, and saw in it an antidote to what he deems "the ailments of the contemporary Greek 'artscape'". He contacted Charles Thomson, the London founder of Stuckism, and a few days later founded The Romantic Anonymous Fellowship. He conceived this as a "Greek version of Stuckism, an antidote to contemporary Greek art's provincialism, sectarianism and servile importation of post-modernism". He developed the concept of "Romantic Stuckism", that is of "Stuckism with a good injection of Eleatic and Platonic philosophy, oriented rather towards encouraging each artist to pursue his/her genuinely personal artistic vision rather, than towards pointless polemics against the reactionary official art-establishment". He published the first two Romantic Stuckist theoretical texts on the Fellowship's website.
At that stage he was the Fellowship's only fellow and, as far as he knew, the only artist in Greece aware of the Stuckist movement. He contacted other fine artists in Athens, but described the reactions he got as "ranging from a tepid 'academic curiosity' to a sheer lack of interest or even, occasionally, to a politely concealed hostility." He was however contacted by artists from overseas and accepted them into the Fellowship. The first to apply was Ian J. Burkett, a painter living in London and founder of the Ealing Stuckists group. Shortly after, followed the painter and etcher Ilania Abileah from Canada, and the painter and etcher Anthe (who is of Greek descent) from the US.
Read more about this topic: The Romantic Anonymous Fellowship
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