Production
- The Feast of Saint Elzear takes place on September 27th.
- The episode includes a flashback scene of Christopher's emotional revelation to Tony that Adriana had been working for the Feds. That scene was originally shot as part of episode 5.12, "Long Term Parking" (directed by Tim Van Patten and photographed by Alik Sakharov), but had been cut to heighten the suspense surrounding Adriana's execution.
- The theme of a wind driving the characters is continued in this episode - the closing shot is of wind rustling autumn leaves as Paulie reconciles with Nucci.
- Actor Tony Sirico, who plays Paulie, cited the final scene as probably his character's favorite thing to do with his mother as a child, going on to explain that he really has no one else who loves him, which explains Nucci's sudden change in mood and silence.
- Shortly after Paulie arrives at Nucci's place, Nucci mentioned that she was watching Lawrence Welk on channel 55. Since the 1980s, The Lawrence Welk Show was seen exclusively on PBS member stations. While there is a channel 55 in the New York City television market, WLNY-TV, that station is a commercial independent station.
Read more about this topic: The Ride (The Sopranos)
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)