Plot
Once again the Clock Family (a teenage girl named Arriety and her parents, Pod and Homily), tiny "borrowers" who live in the homes of regular sized human beings, are forced to find a new place to live when they learn of the upcoming departure of the humans in whose house they reside. With the help of their friend Spiller, they escape through the house drain system and move to the model village of Little Fordham where they try to live in secret. They are eventually discovered by a couple who own a rival model village and are kidnapped with the intention of being put on attraction when that model village opens for tourist season. Imprisoned in the couple's attic, the Clocks are able to use materials they find to create a balloon and basket which lifts them out of a window and to freedom moments before they are to be put on display.
Knowing they cannot risk moving back into Little Fordham the family again take to the great outdoors, in search of a new place to call home. Spiller tells the Clocks that there's an old watermill, one human and plenty to eat down the stream. The series ends with the Borrowers sailing down the stream, and Pod says that whatever happens, there's always some way to manage.
Read more about this topic: The Return Of The Borrowers
Famous quotes containing the word plot:
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)