Broadcast and Reception
Episode | Broadcast date | Run time | Viewers |
Archive |
---|---|---|---|---|
"The Powerful Enemy" | 2 January 1965 (1965-01-02) | 26:15 | 12.0 | 16mm t/r |
"Desperate Measures" | 9 January 1965 (1965-01-09) | 24:36 | 13.0 | 16mm t/r |
Paul Cornell, Martin Day, and Keith Topping wrote of the serial in The Discontinuity Guide (1995), "As a vehicle to introduce a companion, The Rescue just about works, but it's too inconsequential to sustain any real interest." In The Television Companion (1998), David J. Howe and Stephen James Walker described the story as "one of the best examples of character-driven drama from this period of the series' history". While they noted there were some unexplained parts of the plot, they felt that it was generally believable and said that "Vicki actually steals the show here". In 2008, Patrick Mulkern of Radio Times described The Rescue as a "neglected gem" with a strong debut for Vicki and many production improvements. Despite this, he wondered "how convincing Bennett's masquerade as Koquillion was in 1965" as in the present day it seems "a tad obvious". DVD Talk's Stuart Galbraith felt that the story was "quite strong" with a "smart, if somewhat predictable climax and resolution" that worked due to the dialogue. Den of Geek felt that the story was only let down by its "weak and convenient resolution" and provided good material for the main cast. Dreamwatch gave The Rescue a score of 7 out of 10, calling it a "solid enough adventure" with a slight plot but brisk pacing that allowed Ian and Barbara to be more of heroes.
Read more about this topic: The Rescue (Doctor Who)
Famous quotes containing the words broadcast and/or reception:
“Radio news is bearable. This is due to the fact that while the news is being broadcast the disc jockey is not allowed to talk.”
—Fran Lebowitz (b. 1951)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)