Broadcast and Reception
| Episode | Broadcast date | Run time | Viewers |
Archive |
|---|---|---|---|---|
| "The Powerful Enemy" | 2 January 1965 (1965-01-02) | 26:15 | 12.0 | 16mm t/r |
| "Desperate Measures" | 9 January 1965 (1965-01-09) | 24:36 | 13.0 | 16mm t/r |
Paul Cornell, Martin Day, and Keith Topping wrote of the serial in The Discontinuity Guide (1995), "As a vehicle to introduce a companion, The Rescue just about works, but it's too inconsequential to sustain any real interest." In The Television Companion (1998), David J. Howe and Stephen James Walker described the story as "one of the best examples of character-driven drama from this period of the series' history". While they noted there were some unexplained parts of the plot, they felt that it was generally believable and said that "Vicki actually steals the show here". In 2008, Patrick Mulkern of Radio Times described The Rescue as a "neglected gem" with a strong debut for Vicki and many production improvements. Despite this, he wondered "how convincing Bennett's masquerade as Koquillion was in 1965" as in the present day it seems "a tad obvious". DVD Talk's Stuart Galbraith felt that the story was "quite strong" with a "smart, if somewhat predictable climax and resolution" that worked due to the dialogue. Den of Geek felt that the story was only let down by its "weak and convenient resolution" and provided good material for the main cast. Dreamwatch gave The Rescue a score of 7 out of 10, calling it a "solid enough adventure" with a slight plot but brisk pacing that allowed Ian and Barbara to be more of heroes.
Read more about this topic: The Rescue (Doctor Who)
Famous quotes containing the words broadcast and/or reception:
“Im a lumberjack
And Im OK,
I sleep all night
And I work all day.”
—Monty Pythons Flying Circus. broadcast Dec. 1969. Monty Pythons Flying Circus (TV series)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)