Production
In a number of 1970s listing guides, the story was called The French Revolution. This appears to derive from a promotional article in the BBC listings magazine Radio Times entitled Dr Who and the French Revolution.
Director Henric Hirsch suffered from exhaustion during the making of this serial, and was unable to direct episode three. John Gorrie (who had previously directed The Keys of Marinus) temporarily stepped in. As no director is credited on-screen for this episode some sources have credited Verity Lambert as director, yet she firmly denied this. William Russell was on a two-week holiday for some of this story (including the above episode); he appeared only in pre-filmed inserts in Episodes 2 and 3. Similarly, in the long shot of the Doctor walking along a country lane (incidentally, the first location footage filmed in the history of the show) a stuntman doubled for William Hartnell, as Hartnell was busy rehearsing for The Sensorites.
Read more about this topic: The Reign Of Terror (Doctor Who)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)