The Real World: Brooklyn is the twenty-first season of MTV's reality television series The Real World, which focuses on a group of diverse strangers living together for several months in a different city each season, as cameras document their lives and interpersonal relationships. It is the third season of the show to be set in New York City, though the first to be set in the borough of Brooklyn, as previous seasons, 1992's The Real World: New York and 2001's The Real World: Back to New York, were filmed in Manhattan. The season was aired as 13 one-hour episodes. MTV announced the location in May 2008. Filming began August 14, 2008, and concluded November 24, 2008. The series premiered January 7, 2009, and garnered an 18% increase in ratings over the previous season with 2.3 million viewers. The premiere was made available on iTunes on January 8. On January 4, MTV aired a special called The Real World: Secrets Revealed that documents the evolution of the series over the years.
Prior to the beginning of the season Jon Murray, co-creator of The Real World, and Chairman and President of Bunim-Murray Productions, explained the choice of Brooklyn: "The Brooklyn season, like the Hollywood season, will focus on what people loved about 'The Real World' when it launched in 1992 - genuine people, meaningful conflict and powerful stories...We're thrilled that MTV is allowing 'The Real World' turn 21!" Cast member Chet Cannon remarked on the city that was his home for three months, "Brooklyn is usually spoken of as more a place where you don’t want to go — I just don’t want to get shot down here."
Anthony Swofford, author of Jarhead, makes an appearance this season when cast member Ryan Conklin attends a meeting of Iraq Veterans Against the War.
In 2010 the season was nominated for a GLAAD Media Award.
Read more about The Real World: Brooklyn: Season Changes, The Residence, Cast, Episodes, After Filming, Awards
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“The desire of most parents is first and foremost to do what is best for their children. Every interview with a mother or father confirms this, every letter written by a parent breathes this deep-seated wish, “I hope I am doing the right thing for my child.” This is real and honest, and at the very base of parenthood.”
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“I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)