Reception
For their next album, 1982's The Real Deal, the group went for a more minimalist funk sound with the title track, which hit the top 20 of the R&B charts, Ron Isley, Ernie Isley and Chris Jasper showcase "Stone Cold Lover", the vocoderized "Are You With Me", the mid-tempo "It's Alright With Me" (with Chris Jasper being the only other vocalist beside Ron Isley singing on the song) with the smoother pop rock ballad "All in My Lover's Eyes", which peaked at number sixty-seven on the R&B chart in 1983, while Ron and Ernie are showcased heavy on the Jimi Hendrix-inspired "Under the Influence", which showcased a more bluesier approach than the group was used to. Despite hopes that the album will bring the Isleys back to the top of the charts, it stalled at number 87 on the Billboard 200. A year later the group will bounce back with Between the Sheets, which became the last album to feature Chris Jasper. Though younger brothers Ernie and Marvin would also depart, forming Isley-Jasper-Isley with Jasper, they eventually returned to the Isley Brothers fold in 1992 following the death of eldest brother Kelly Isley and the exit of Rudolph Isley. Ronald Isley has since remained the group's most consistent of the members.
Read more about this topic: The Real Deal (album)
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)