Production
The film's director stated that the script was based upon a fictional character he had created with "many parallels to reality." Filming took place over the course of eight weeks during the summer of 2000, with locations near Fort De Soto Park, Ybor City and Tampa Bay, Florida. Half of the cast came from Tampa Bay, Florida, and cameo appearances by Scientology critics included Bob Minton, Stacy Brooks, Jesse Prince and Ken Dandar. Costume and design themes hearkened back to the Citizen Kane period. Bob Minton funded the film, and invested almost USD$2.5 million into the piece.
According to the director, the film's cast and crew faced harassment from Scientologists throughout production. Representatives from the Foundation for Religious Tolerance of Florida — a Scientology front group — came to the shooting sites of the film and handed out fliers which demeaned the film's financial backers. They followed crew members home in order to "press them for information about the content of the film." In addition to the protests, promotional videos shipped to Cannes, France were reported to have disappeared, and Alexander believed that an individual disguised as himself came to pick up the videos.
The founder of the Foundation for Religious Tolerance of Florida, Mary DeMoss of Clearwater, Florida, characterized the movie as a "hate propaganda film," denied that anyone from her foundation followed crewmembers home and stated that the fliers were passed out in order to let crew members know "who was behind this."
Read more about this topic: The Profit
Famous quotes containing the word production:
“The production of too many useful things results in too many useless people.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)