The Princess Bride - Context

Context

The Princess Bride is presented as Goldman's abridgment of an older version by "S. Morgenstern", which was originally a satire of the excesses of European royalty. The book, in fact, is entirely Goldman's work. Morgenstern and the "original version" are fictional and used as a literary device.

Goldman carried the joke further by publishing another book called The Silent Gondoliers (explaining why the gondoliers of Venice no longer sing to their passengers) under S. Morgenstern's name.

Goldman's personal life, as described in the introduction and commentary in the novel, is also fictional. In The Princess Bride, Goldman claims to have one son with his wife, a psychiatrist. In reality, Goldman has two daughters, and his wife is not a psychiatrist. The commentary is extensive, continuing through the text until the very end.

The book's actual roots are in stories Goldman would tell to his daughters, one of whom had requested a story about "princesses" and the other "brides". Goldman describes the earliest character names from the "kid's saga" as "silly names: Buttercup, Humperdinck". The countries are both named after coins. The florin was originally an Italian gold coin minted in Florence, and later the name of various currencies and denominations. The guilder was originally a Dutch gold coin, and later the name of various currencies used mainly in the Netherlands and its territories. The two names are often interchangeable.

Goldman says he wrote the first chapter about Buttercup which ran for about 20 pages. Then he wrote the second chapter, "The Groom" about the man she was going to marry; Goldman only managed to write four pages before running dry. Then he got the idea to write an abridged novel:

And when that idea hit, everything changed. Tennessee Williams says there are three or four days when you are writing a play that the piece opens itself to you, and the good parts of the play are all from those days. Well, The Princess Bride opened itself to me. I never had a writing experience like it. I went back and wrote the chapter about Bill Goldman being at the Beverly Hills Hotel and it all just came out. I never felt as strongly connected emotionally to any writing of mine in my life. It was totally new and satisfying and it came as such a contrast to the world I had been doing in the films that I wanted to be a novelist again.

Goldman says he was particularly moved writing the scene where Westley dies.

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