Influence
It is not known whether or not Wilde himself subscribed to the theory presented in the story. His lover Lord Alfred Douglas states that he did believe it. Samuel Butler accepted some aspects of it, regarding the name 'Will Hughes' as a "plausible conjecture".
Wilde's story may have been an influence on John Masefield, whose book Shakespeare and Spiritual Life (1924) suggests that the Fair Youth was an actor who was delicate and small enough to play parts such as the boy-servant Moth in Love's Labours Lost and the sprite Ariel in The Tempest. He believed that he may even have been a kind of symbol to Shakespeare for his own creative genius.
In James Joyce's novel Ulysses a character called Mr. Best says that Wilde's theory is "the most brilliant" of all identifications. André Gide also expressed approval, stating that the theory was "the only, not merely plausible, but possible, interpretation".
In G.S. Viereck's novel My First Two Thousand Years, the protagonist, the Wandering Jew, watches a performance given by Willie Hughes, who is "positively enchanting as Juliet". He learns that Shakespeare had dedicated his sonnets to the boy-actor, but when he meets him he discovers that the boy is actually a girl in disguise. Shakespeare knew this, and the girl blushingly admits that this is why he called her "the master-mistress of my passion".
Read more about this topic: The Portrait Of Mr. W. H.
Famous quotes containing the word influence:
“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
—David Hume (1711–1776)
“I believe that the influence of woman will save the country before every other power.”
—Lucy Stone (1818–1893)
“The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.”
—Terri Apter (20th century)