The Pleasure of His Company - Plot

Plot

San Francisco debutante Jessica Poole hasn't seen her father "Pogo" Poole since the divorce between him and her mother Katharine, many years before. Pogo went off to travel the world and enjoy himself, while Katharine remarried to stodgy banker Jim Dougherty.

Now Jessica is about to marry Roger Henderson, a cattle rancher from the Napa Valley, and Pogo has been invited to the wedding.

Pogo arrives, as charming as he ever was. He is delighted by Jessica, and captivates her in return. He makes peace with Katharine, and even wins over Toy, the Doughertys' prized cook, though not Jim and Roger.

But Pogo is still as irresponsible as before. He invites Jessica to come away with him and "see the world". He even tries to break up her engagement, to Katharine's dismay. He also seems to be coming between Jim and Katharine, who has never quite got over her love for him.

Despite Pogo's maneuvers, the wedding goes through. But Pogo has reserved two airline tickets: who's going with him? Katharine, fearing that Pogo has won over Jessica after all, rushes to the airport. Jim, seeing Katharine leave the reception, fears she is leaving him for Pogo, and goes after her. They meet at the airport, and see Pogo boarding a plane - with Toy.

Read more about this topic:  The Pleasure Of His Company

Famous quotes containing the word plot:

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
    —E.M. (Edward Morgan)

    The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.
    Charles Dickens (1812–1870)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)