Analysis
The Pioneers was the first written of James Fenimore Cooper's Leatherstocking series, featuring the character Natty Bumppo, a resourceful white American living in the woods. The story focuses on the evolution of the wilderness into a civilized community. The story takes place in the town of Тempleton, which is said to be modeled after Cooperstown, New York.
Naturalist Ideas: Although not classified as a naturalist novel, Cooper depicts many naturalist based ideas in the Pioneers. His use of language, dialogue and description help to convey this movement within this novel.
- Landscape: In The Pioneers, Cooper thematically debates the complexity of landscape within a new American frontier. The battle between nature and civilization is a constant and competing force within the minds of the characters and in the general surroundings. Cooper evaluates his landscape as one that will be established by a civilization unable to escape its own traits of wastefulness and arrogance.
- Characters: Cooper expands the conflict between nature and civilization in his characters. Specifically Cooper writes much more detailed and in depth dialogue for “Natty Bumpo’s” character than he does for any of the others. During these conversations Natty stresses the importance of respecting the land and disgraces the greed and selfishness of mankind. The “civil societal” characters are merely background characters to Natty’s heroic natural character. He emerges as the antithesis to wastefulness demonstrated and embodied in the settlers. This helps to establish and contribute to Coopers main theme of wilderness versus established society. While the settlers see wilderness as being tamed by their presence, Natty has a vision of civilized life coexisting with nature. Ideally, he wants to sustain the unique role that this vast unexplored wilderness contributes to the complexity of America.
-
- “It is much better to kill only such you want, without wasting your powder and lead, then to be firing into God’s creatures in such a wicked manner.” (Natty to Judge Marmeduke) – Chapter III, The Slaughter of Pigeons
- Description: Alternating between dialogues, Cooper writes vast paragraphs of only descriptive writing to paint the natural wilderness he wants the reader to embody. This description of the landscape exemplifies the peacefulness and naturalist sense of the wilderness, and when the dialogue begins it shows the disruption of civilization on the natural abundance of the wilderness. This furthers Cooper’s purpose of the giving, natural, and serene wilderness versus the arrogant and greedy society.
Tone: Cooper’s tone in The Pioneers is one of criticism and mock towards Puritan society, “established society”. The dialogue of the settlers displays the carelessness of their society towards the wilderness. Through this Cooper mocks and belittles their society because of their attitudes. The whole scene in Chapter II (The Judge’s History of Settlement) is an over exaggerated depiction of the reactions of the settler’s to a falling tree and storm. The naivety of the settler’s is portrayed in their responses to their journey into the wilderness. Cooper’s mocking and critical tone is seen throughout the novel, and the natural wilderness versus a civilized society furthers this tone.
Read more about this topic: The Pioneers (novel)
Famous quotes containing the word analysis:
“Whatever else American thinkers do, they psychologize, often brilliantly. The trouble is that psychology only takes us so far. The new interest in families has its merits, but it will have done us all a disservice if it turns us away from public issues to private matters. A vision of things that has no room for the inner life is bankrupt, but a psychology without social analysis or politics is both powerless and very lonely.”
—Joseph Featherstone (20th century)
“A commodity appears at first sight an extremely obvious, trivial thing. But its analysis brings out that it is a very strange thing, abounding in metaphysical subtleties and theological niceties.”
—Karl Marx (18181883)
“Ask anyone committed to Marxist analysis how many angels on the head of a pin, and you will be asked in return to never mind the angels, tell me who controls the production of pins.”
—Joan Didion (b. 1934)