Production
Rumours of a Phantom movie adaptation had first started to circulate when director Sergio Leone expressed his interest in the property in an interview. Leone had started to write a script and scout locations for his proposed film version of the Phantom, which he planned to be followed by an adaptation of Lee Falk's other comic-strip hero, Mandrake the Magician. The second project was never finalized.
Joe Dante was originally attached to direct a Phantom film for Paramount Pictures in the early 1990s, and he developed a draft of the script together with Jeffrey Boam. However, when Paramount pushed the film back a year, Dante left for other commitments, and eventually ended up being credited as one of the executive producers. Joel Schumacher was considered to direct the film, but the job was given to Simon Wincer, who had been a fan of the character since childhood.
Wincer then cast Billy Zane, who had won praise for his work as a psychopath in Dead Calm, as the Phantom. Zane, a fan of the comic strip after being introduced to it on the set of Dead Calm, won the part after competition from Bruce Campbell and Kiwi actor Kevin Smith. After his casting, he feverishly pumped iron for over a year and a half to get the right muscular look of the Phantom. He also studied the character's body language in comic strip artwork, carefully imitating it in his performance. A Batman-like costume displaying false muscles was made for him to wear; but by the time filming started, Zane did not need it.
The special Phantom costume effects were provided by Jim Henson's Creature Shop.
Read more about this topic: The Phantom (1996 Film)
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)