Plot
Police Inspector Ghote lives a middle-class life in Bombay along with his wife, Pratima. He has been employed with the Bombay Police for many years. His wife is generally disgruntled and wants a better life. He is assigned to investigate the deadly assault on a Parsi man named Perfect, who is the Secretary of Lala Heera Lal, a wealthy man with underworld links. Inspector Ghote commences his investigation and is displeased when his superiors ask him to work with a Swedish Forensic Expert by the name of Axel Svennson. Axel is thrilled to get a closer look at the working of the Bombay Police, but also realizes that Ghote may not be one of their best police officers. When their friendship develops, he gets invited to Ghote's house, and gets to meet Pratima. Their investigation, though Prima Facie simple enough, takes them through turns and twists that both had not expected - including corridors of power and corruption - and finally to the conclusion and the unmasking of the culprit(s) behind this incident
Read more about this topic: The Perfect Murder (film)
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)