Plot Summary
The tale begins with an injured narrator seeking refuge in an abandoned mansion in the Apennines, with no explanation for his wound. He spends his time admiring the works of art decorating the strangely shaped room and perusing a volume which "purported to criticize and describe" the paintings. He eventually discovers a painting which shocks him with its extreme realism, which he refers to as "absolute life-likeliness of expression". He spends a moment ("for an hour, perhaps", the reader is told) in silent awe of it until he cannot bear to look any more, then consults the book for an explanation.
The remainder of the story is a selection from this book discussing how the painting was created — a story within a story. The book explains that the picture was painted by an eccentric artist depicting his young wife, but that he grew obsessed with his painting to the point that he paid no attention to the woman he was painting. When he finishes the painting he is appalled at his own work, and exclaims, "This is indeed Life itself!" Then he turns to see his bride, and discovers that she has died and her spirit was transferred into the lifelike painting.
Read more about this topic: The Oval Portrait
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