Critical Reception and Impact
The story inspired elements in the 1891 novel The Picture of Dorian Gray by Oscar Wilde. Five years before the novel's publication, Wilde had praised Poe's rhythmical expression. In Wilde's novel, the portrait gradually reveals the evil of its subject rather than that of its artist.
A similar plot is also used in Nathaniel Hawthorne's 1843 tale "The Birth-Mark".
French film-maker Jean-Luc Godard cited passages from the story in his 1962 film Vivre sa vie. Many saw this as Godard acknowledging the complexities of using his then-wife Anna Karina in the leading role for his films.
Read more about this topic: The Oval Portrait
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“It is critical vision alone which can mitigate the unimpeded operation of the automatic.”
—Marshall McLuhan (19111980)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
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“The question confronting the Church today is not any longer whether the man in the street can grasp a religious message, but how to employ the communications media so as to let him have the full impact of the Gospel message.”
—Pope John Paul II (b. 1920)