The Other Side of The Wind - Missing Elements To The Film

Missing Elements To The Film

Ten hours of raw footage exist, including multiple takes of the same scenes, but the film is missing the following elements:

  • Welles never recorded the opening narration. Bogdanovich has speculated that he could do the narration instead, in character as Otterlake.
  • There is one scene missing - Hannaford's car exploding as it crashes behind the cinema screen, with the explosion being unseen, but a plume of smoke rising from behind the screen. Since the Reseda drive-in theatre used has been demolished since filming in the 1970s, this would most likely need to be accomplished by a model shot.
  • With 40-50 minutes of film edited by Welles, approximately 70-80 minutes still require editing. Welles consistently maintained that he did not enjoy films lasting over two hours, and most of his films were just under two hours.
  • The film currently lacks a musical score.

Sifting through the ten hours of film would present less of an effort than was involved in finishing Sergei Eisenstein's incomplete ¡Que viva México! over 40 years after it was filmed, when a 90-minute feature was cut out of between 30 and 50 hours of raw footage shot by Eisenstein.

Read more about this topic:  The Other Side Of The Wind

Famous quotes containing the words missing, elements and/or film:

    statistic: the us bureau of missing persons reports
    that in 1968 over 100,000 people disappeared
    leaving no solid clues
    nor traceonly
    a space
    in the lives of their friends.
    Ishmael Reed (b. 1938)

    Three elements go to make up an idea. The first is its intrinsic quality as a feeling. The second is the energy with which it affects other ideas, an energy which is infinite in the here-and-nowness of immediate sensation, finite and relative in the recency of the past. The third element is the tendency of an idea to bring along other ideas with it.
    Charles Sanders Peirce (1839–1914)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)