Literary Significance and Criticism
Probably the most widely-repeated criticism of Dickens is the remark reputedly made by Oscar Wilde that 'One would have to have a heart of stone to read the death of little Nell without dissolving into tears...of laughter.' (Nell's deathbed is not actually described, however). Of a similar opinion was the poet Algernon Swinburne, who called Nell "a monster as inhuman as a baby with two heads."
The Irish leader Daniel O'Connell famously burst into tears at the finale, and threw the book out of the window of the train in which he was travelling.
The hype surrounding the conclusion of the series was unprecedented; Dickens fans were reported to storm the piers of New York City, shouting to arriving sailors (who might have already read the last instalment in the United Kingdom), "Is Little Nell alive?" In 2007, many newspapers claimed the excitement at the release of the last volume The Old Curiosity Shop was the only historical comparison that could be made to the excitement at the release of the last Harry Potter novel, Harry Potter and the Deathly Hallows.
The Norwegian author Ingeborg Refling Hagen, is allegedly said to have buried a copy of the book in her youth, stating that nobody deserved to read about Nell, because nobody would ever understand her pain. She compared herself to Nell, because of her own miserable situation at the time.
Read more about this topic: The Old Curiosity Shop
Famous quotes containing the words literary, significance and/or criticism:
“I have the conviction that excessive literary production is a social offence.”
—George Eliot [Mary Ann (or Marian)
“The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.”
—Alasdair Chalmers MacIntyre (b. 1929)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)