Reception
The second season was widely received as inferior to the first, but it has been noted that this may be slightly unfair. The show moved to "ultra-competitive Thursday" nights which Schwartz described as a "real vote of confidence the network", but many attributed placing The O.C. against the likes of Survivor, Joey and Will & Grace as part of The O.C.'s decline in popularity. The move improved FOX's performance at the new time slot, but lost the show viewers. The season premiere attracted 8.6 million viewers, but average viewing figures decreased thirty percent from the previous season to 7 million.
For the second season the show was nominated for five Teen Choice Awards winning four of them, including best drama. It was also nominated for the Favorite Television Drama People's Choice Award. Kelly Rowan won a PRISM Award for Performance in a Drama Series Episode, with Peter Gallagher also getting nominated. Additionally the season finale was nominated for the TV Drama Series Episode award. The introduction of bisexual character Alex, was praised as "an especially charismatic new presence", with the show was praised for its handling of her lesbian relationship with Marissa. However Mischa Barton was criticized for her acting skills in portraying Marissa, along side other noted flaws including "flavorless plots," and "flat new characters who failed to grab the audience's interest". IGN faulted the move to quickly rekindle the Ryan and Marissa relationship and "abruptly write off Alex and Lindsay, after them a pretty big part of the show" but commended a "compelling story centering on Ryan's brother Trey coming to town, leading to a very dramatic season finale" Tate Donovan, who played Jimmy, credited a drop in ratings to "the show moving away from the family dynamic to focus more on the kids".
Read more about this topic: The O.C. (season 2)
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)