The Number Painter, also known as The Mad Painter, was the title character of a series of comedy live-action films produced for the children's television program Sesame Street. This series of slapstick films — each one ran anywhere from one minute to 90 seconds — were used to teach children number recognition, including appearance and symbolic representation of Arabic numerals, and how the number is drawn. As such, "The Number Painter" contrasted with the show's other animated and live-action number-related skits, where the primary focus was on counting.
Ten "Number Painter" skits were produced in the series, one each for the numbers 2 through 11. No skit was produced for the number 1, as that number was not featured in individual Sesame Street segments during the era when the films were produced and aired. Although the numbers showcased up to 12 in this same era, no number 12 film was produced either, leaving the Painter's final fate in the number 11 film ambiguous.
The title character and main protagonist in these movies, portrayed by Paul Benedict, was an eccentric character who enjoys painting numbers in a series of public and private locations. His outfit consists of a black-and-white striped shirt, gray pants held up with suspenders, black sneakers, and a paint-splattered smock, topped with a black bowler hat. He carries a can of paint and a brush, along with a cut-out of the number he intends to paint. The Painter never spoke on-camera, although his thoughts were heard using voice over.
The films were produced in 1971, and the first film in the series — that for the number 2 — aired on February 23, 1972. Robert Dennis composed the jaunty piano score in each of the segments. Eliot Noyes Jr. directed and produced the series.
Read more about The Number Painter: Skit Format, Sketch List
Famous quotes containing the words number and/or painter:
“The basis of successful relief in national distress is to mobilize and organize the infinite number of agencies of self help in the community. That has been the American way.”
—Herbert Hoover (18741964)
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, You who are so fond of hawthorns, look at this pink thorn, isnt it lovely?”
—Marcel Proust (18711922)