Production and Title
In dedication to The Notorious B.I.G., The Notorious K.I.M. was in a "memorial" to the late rapper. "I felt Biggie's spirit while I was working on this album. I thought it was a perfect name for the album. Also, I am known in a notorious way, my style and lyrics. I've been known in a notorious way over the years.", Kim told Jet magazine.
"This album to me is more creative and more versatile than my last album. I think that's what people have been looking for. My whole image, to me, the reason why I came out with 'Hard Core,' the sexy thing, was to make me different from every other female rapper that was out. That's exactly what I'm trying to do now, is make myself different, because now we have a lot of rappers doing the same thing that I did when I came out the first time. What I'm trying to do is separate myself again from the rappers that are out now."
—Lil' Kim, MTV News
In a 2000 interview, Kim explained to MTV News that she attempted to collaborate with the original producers of her first album "Hard Core" but she wasn't satisfied with the final results. "Some of the producers that I worked with, they just didn't know what I wanted, so I worked with new producers this time, and I kind of told them what I wanted", Kim told MTV. Without re-teaming with the collaborated of her debut album "Hard Core" (with the exception of Nasheim Myrick), Production for the album was handled primarily by Mario "Yellowman" Winans, Fury, Richard "Younglord" Frierson, Rated R, Rockwilder, Darren "Limitless" Henson, Shaft, Kanye West, and Timbaland.
Read more about this topic: The Notorious K.I.M., Background
Famous quotes containing the words production and, production and/or title:
“Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty; rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.”
—Raoul Vaneigem (b. 1934)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.