Production and Title
In dedication to The Notorious B.I.G., The Notorious K.I.M. was in a "memorial" to the late rapper. "I felt Biggie's spirit while I was working on this album. I thought it was a perfect name for the album. Also, I am known in a notorious way, my style and lyrics. I've been known in a notorious way over the years.", Kim told Jet magazine.
"This album to me is more creative and more versatile than my last album. I think that's what people have been looking for. My whole image, to me, the reason why I came out with 'Hard Core,' the sexy thing, was to make me different from every other female rapper that was out. That's exactly what I'm trying to do now, is make myself different, because now we have a lot of rappers doing the same thing that I did when I came out the first time. What I'm trying to do is separate myself again from the rappers that are out now."
—Lil' Kim, MTV News
In a 2000 interview, Kim explained to MTV News that she attempted to collaborate with the original producers of her first album "Hard Core" but she wasn't satisfied with the final results. "Some of the producers that I worked with, they just didn't know what I wanted, so I worked with new producers this time, and I kind of told them what I wanted", Kim told MTV. Without re-teaming with the collaborated of her debut album "Hard Core" (with the exception of Nasheim Myrick), Production for the album was handled primarily by Mario "Yellowman" Winans, Fury, Richard "Younglord" Frierson, Rated R, Rockwilder, Darren "Limitless" Henson, Shaft, Kanye West, and Timbaland.
Read more about this topic: The Notorious K.I.M., Background
Famous quotes containing the words production and, production and/or title:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
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“He who, in an enlightened and literary society, aspires to be a great poet, must first become a little child. He must take to pieces the whole web of his mind. He must unlearn much of that knowledge which has perhaps constituted hitherto his chief title to superiority. His very talents will be a hindrance to him.”
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