The Notorious Bettie Page - Critical Reception

Critical Reception

The film reviewed at 56% fresh by Rotten Tomatoes

Manohla Dargis of the New York Times observed "Until now, Ms. Mol has been best known for her premature designation several years ago as Hollywood's newest It Girl. The label seemed to plague her, and she all but faded from view despite promising turns in little-seen films. Maybe because she felt protected by her female director and female producers (six out of seven), or emboldened by the material, or maybe because she knows how beautiful her gently padded silhouette looks in the raw, Ms. Mol takes to this tricky role with the carefree expressivity you tend to see only in young children who have learned the joys of nudity, usually when their parents are throwing a dinner party. When she strips, Bettie soars".

Roger Ebert of the Chicago Sun-Times said "The tone of the movie is subdued and reflective. It does not defend pornography, but regards it (in its 1950s incarnation) with subdued nostalgia for a more innocent time. There is a kind of sadness in the movie as we reflect that most of these women and the men they inflamed are now dead; their lust is like an old forgotten song".

Mick LaSalle of the San Francisco Chronicle stated the film "floats on the charm and the labors of its lead actress, Gretchen Mol, who single-handedly makes the picture worth seeing. She takes a character that is next door to a cipher and infuses her with innocence and mischief, wit and feeling, despite limited help from the script. Perhaps through intuition or through some careful study of Page's pinups, Mol has discovered a human being to play, and in the process has found her best screen showcase to date". Of Harron and Turner he said "They tell Page's story in a curiously uninflected way, revealing little, if any, point of view, and imposing no meaning or particular importance on this woman's life. This approach is far from a recipe for high drama, but it has the integrity of accuracy. The audience is introduced to Bettie because the audience is perhaps interested in Bettie or her career or her era. But there's no pretending that her life was all that fascinating, or that her contribution to culture was significant, or that her story contains a lesson worth receiving... There's enough here for a good after-movie argument, and that's more than can be said for most pictures".

Peter Travers of Rolling Stone rated the film three out of four stars and commented "Any old sleaze could turn Bettie's life into a kinky S&M wallow, a cinematic stroke book. Not that there's anything wrong with that. It's just that director Mary Harron, who co-wrote the scrappy script with Guinevere Turner, doesn't do the expected. She's too sly for that, too subversively funny... needed just the right actress to play Bettie. And she lucked out big time. Gretchen Mol is hot stuff in every sense of the term. She delivers the first performance by an actress this year that deserves serious Oscar consideration".

Todd McCarthy of Variety called the film "a superficial look at the '50s sex icon feels like it was researched via press clippings rather than attempting a fresh rethinking of its era and provocative subject". He added "Mary Harron's work here seems curiously uninvolved. There's no sense of any particular commitment to the leading character... result is a strangely placid, unchallenging picture with no blood in its veins... Gretchen Mol is splendid to behold in every stage of dress or undress, but Harron and co-scenarist Guinevere Turner offer no clues as to what might be going on inside the dark-haired beauty's head and heart... Mol's Bettie is compliant, almost always open to any request and never disagreeable. But her lack of spine and inner turmoil make her a central figure of limited interest, that rare dramatic heroine with no ambition or goal".