The Ninth Gate - Reception

Reception

The premiere screening of The Ninth Gate was in San Sebastián, Spain, on 25 August 1999; in North America, it appeared in 1,586 cinemas during the March 10th, 2000 weekend, earning a gross income of $6.6 million, and $18.6 million in total. Worldwide, it earned $58.4 million against a $38 million production budget.

The majority of reviews for the film were mixed to negative, with objections to the film citing a slow pace, trivial subject matter, and an uneven tone. Most movie reviewers said that the suspense in The Ninth Gate was less than that of Rosemary's Baby (1968), director Polanski's famous supernatural-themed film. The Ninth Gate holds a 40% rating at Rotten Tomatoes (26% among "Cream of the Crop" critics) and a metascore of 44 on Metacritic. Roger Ebert said the ending was lackluster, "while at the end, I didn't yearn for spectacular special effects, I did wish for spectacular information — something awesome, not just a fade-to-white". In his review for The New York Times, Elvis Mitchell said the movie was "about as scary as a sock-puppet re-enactment of The Blair Witch Project, and not nearly as funny". Entertainment Weekly rated the film "D+", and Lisa Schwarzbaum said it had an "aroma of middle-brow, art-house Euro-rot, a whiff of decay and hauteur in a film not even a star as foxed, and foxy, as Johnny Depp, himself, could save". In the Los Angeles Times, Kenneth Turan said the film was "too laid-back, and unconcerned about the pacing of its story to be satisfying", because "a thriller that's not high-powered, is an intriguing concept, in reality it can hold our attention for only so long". In the Village Voice, J. Hoberman said the film was "barely releasable hokum, stuffed with cheesy blah-blah".

In Sight and Sound magazine, Phillip Strick said it was "not particularly liked at first outing — partly because Johnny Depp, in fake grey temples, personifies the odious Corso of the book a little too accurately — the film is intricately well-made, deserves a second chance, despite its disintegrations, and, in time, will undoubtedly acquire its own coven of heretical fans".

In Time magazine, Richard Corliss said that The Ninth Gate was Polanski's most accessible effort "since fleeing the U.S. soon after Chinatown".

In the San Francisco Chronicle, Bob Graham said that "Depp is the best reason to see Polanski's satanic thriller" and "Polanski's sly sense of film-noir conventions pokes fun at the genre, while, at the same time, honoring it".

On his website Groucho Reviews, web critic Peter Canavese called the film "an insinuating trip into devilish darkness" and a "sorely underrated occult mystery".

After the release of The Ninth Gate, Artisan sued Polanski for taking more than $1 million from the budget, refunds of France's value-added tax that he did not give to the completion bond company guaranteeing Artisan Entertainment a completed film.