Reception
The New Criterion has been highly influential in the way that conservatives think about culture.
Writer Jeet Heer has argued that the journal is mistaken in attempting to draw such a strong distinction between high culture and popular culture, and that the unreasonable nature of this proposition is partly demonstrated by the fact that a number of NC contributors write enthusiastically about aspects of popular culture in other publications.
According to the conservative The New York Sun, for a quarter of a century the New Criterion "has helped its readers distinguish achievement from failure in painting, music, dance, literature, theater, and other arts. The magazine, whose circulation is 6,500, has taken a leading role in the culture wars, publishing articles whose titles are an intellectual call to arms."
Former associate editor of the New Criterion, Christopher Carduff, said to the New York Sun: "I think that what initially made it a sensation — and, in certain quarters, a scandal, was its courage to make judgments about contemporary art, to separate the sheep from the goats. Or, more to the point, to separate the sheep from the pigs in sheep's clothing."
Read more about this topic: The New Criterion
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)