Critical Reaction
Though Lovecraft counted "The Nameless City" among his favorite stories, it was rejected (following its original amateur appearance) by a variety of professional outlets, including Weird Tales (twice), Fantasy Magazine and possibly The Galleon. It was accepted by The Fantasy Fan, which folded before publishing it. It eventually appeared in the Fall 1936 issue of Fanciful Tales, published by Donald A. Wollheim and Wilson Shepherd, and was reprinted in the November 1938 issue of Weird Tales after Lovecraft's death.
Lin Carter describes "The Nameless City" as "a trivial exercise in Poe-esque gothica", calling it "overwritten over-dramatic". "he mood of mounting horror is applied in a very artificial manner", Carter writes. "Rather than creating in the reader a mood of terror, Lovecraft describes a mood of terror: the emotion is applied in the adjectives." He does, however, allow that the tale has some "evocative power":
Lovecraft himself was powerfully moved by an emotion of awe and fascination when contemplating the mysterious ruins of unthinkable antiquity. This emotion he manages to convey in a sort of dreamlike manner, despite his coldly clinical use of adjectives.
Read more about this topic: The Nameless City
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